One of the most vital and energetic movements in poetry during the 1990s, slam has revitalized interest in poetry in performance. This interest was reborn through the rise of poetry slams across
America; while many poets in academia found fault with the movement,
slam was well received among young poets and poets of diverse
backgrounds as a democratizing force. This generation of spoken word
poetry is often highly politicized, drawing upon racial, economic, and
gender injustices as well as current events for subject manner.
A slam itself is simply a poetry competition in which poets perform
original work alone or in teams before an audience, which serves as
judge. The work is judged as much on the manner and enthusiasm of its
performance as its content or style. The structure of the
traditional slam was started by construction worker and poet Marc Smith
in 1986 at a reading series in a Chicago jazz club. The competition
quickly spread across the country, finding a notable home in New York
City at the Nuyorican Poets Café.
As of 2010, the National Poetry Slam has grown and currently features approximately 80 certified teams each year, culminating in five days of competition. Slams have spread all over the world, with slam scenes in Canada, Germany, Sweden, France, Austria, Israel, Switzerland, Nepal, the Netherlands, UK, Australia, New Zealand, Singapore, the Czech Republic, Sarajevo, Bosnia, Denmark, South Korea, India and Greece.
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